Loss of Innocence in Heart of Darkness Essay -- Heart Darkness essays

Loss of sinlessness in subject matter of Darkness Heart of Darkness is Joseph Conrads tale of angiotensin converting enzyme humanss journey, both mental and physical, into the depths of the wild African jungle and the human soul. The seaman, Marlow, tells his crew a offshootling tale of a man named Kurtz and his expedition that culminates in his happen upon with the voice of Kurtz and ultimately, Kurtzs demise. The passage from Part I of the novel consists of Marlows initial encounter with the natives of this place of immense darkness, directly relating to Conrads use of imaginativeness and metaphor to illustrate to the lecturer the contrast between light and dark. The passage, although occurring earlier on in the novel, is interspersed with Marlows two opposing points of view one of na old stager, which comes before Marlows eventual epiphany after(prenominal) having met Kurtz, and the matured perspective he takes on after every last(predicate) of the events le ading up to his and Kurtzs encounter. Almost immediately after the start of the passage, the reader is exposed to the prejudices of the gabardine inhibitors. The indigenous people of the area are repeatedly compared to animals, dehumanizing them and depriving them of the common respect that all people deserve, regardless of race or creed. On page 24, Marlow says A lot of people, mostly black and naked, moved about like ants. Reinforcing this idea, he lends them other animal-like qualities, calling the sickly ones creatures and describing their movements as world off on all fours...to drink, and even the act of drinking is described as the native having lapped out of his hand, reminiscent of something a dog would do (28). another(prenominal) interesting employment of wording used by... ...s of the jungle, which sought to swallow him whole like the snake devouring its prey, sending it deeper within its body digesting it by stripping it of its layers one by one, paralleling the snake-like qualities of the river that draw Marlow deeper and deeper into its dark nothingness. And just like the Ancient Mariner, who is doomed to tell his tale for the rest of his life for the sake of penitence, Marlow, too, seems to retell his horizontal surface of the tragic loss of innocence, of demise and rebirth. Regardless of how many times the story had been told before it got to the narrator who eventually transcribed the events, it is one of great importance. It tells us that we essential not judge a book by its cover, regardless of how convinced we may be of what is inside. Works Cited Conrad, Joseph. Heart of Darkness. New York Barnes & Noble Books, 1994. Loss of Innocence in Heart of Darkness Essay -- Heart Darkness essaysLoss of Innocence in Heart of Darkness Heart of Darkness is Joseph Conrads tale of one mans journey, both mental and physical, into the depths of the wild African jungle and the human soul. The seaman , Marlow, tells his crew a startling tale of a man named Kurtz and his expedition that culminates in his encounter with the voice of Kurtz and ultimately, Kurtzs demise. The passage from Part I of the novel consists of Marlows initial encounter with the natives of this place of immense darkness, directly relating to Conrads use of imagery and metaphor to illustrate to the reader the contrast between light and dark. The passage, although occurring earlier on in the novel, is interspersed with Marlows two opposing points of view one of navet, which comes before Marlows eventual epiphany after having met Kurtz, and the matured perspective he takes on after all of the events leading up to his and Kurtzs encounter. Almost immediately after the start of the passage, the reader is exposed to the prejudices of the white inhibitors. The indigenous people of the area are repeatedly compared to animals, dehumanizing them and depriving them of the common respect that all people d eserve, regardless of race or creed. On page 24, Marlow says A lot of people, mostly black and naked, moved about like ants. Reinforcing this idea, he lends them other animal-like qualities, calling the sickly ones creatures and describing their movements as being off on all fours...to drink, and even the act of drinking is described as the native having lapped out of his hand, reminiscent of something a dog would do (28). Another interesting employment of language used by... ...s of the jungle, which sought to swallow him whole like the snake devouring its prey, sending it deeper within its body digesting it by stripping it of its layers one by one, paralleling the snake-like qualities of the river that drew Marlow deeper and deeper into its dark nothingness. And just like the Ancient Mariner, who is doomed to tell his tale for the rest of his life for the sake of penitence, Marlow, too, seems to retell his story of the tragic loss of innocence, of death and rebirt h. Regardless of how many times the story had been told before it got to the narrator who eventually transcribed the events, it is one of great importance. It tells us that we must not judge a book by its cover, regardless of how convinced we may be of what is inside. Works Cited Conrad, Joseph. Heart of Darkness. New York Barnes & Noble Books, 1994.