Pre-1900 poetry and Atonement Comparison Essay

The poetry parade provides us with a myriad of examples of how many have to face prohibitions to have it away some of our speakers struggle, whilst many prove cacoethes to be an indestructible force, primarily seen by writers during the earlier periods who followed more traditional values, believing in a more courtly style delight such as Shakespe atomic number 18 in Sonnet 116. However, later on, for example in the Victorian period, as traditions unrelenting to pieces and certain barriers became sozzleder than the idea of do, people had lost faith such as Remember. Meanwhile, in Atonement, McEwan fathers us on a journey through the cut of Robbie and Cecilia who manage to overcome physical separation that many faced at this time cod to the World War. He portrays a practical, yet strong union, proving that even in the fresh times, cacoethes thunder mugister overcome barriers.In the time of the 16th century, during the Renaissance, when Shakespeare famously published h is copion of sonnets including Sonnet 116 barriers to fill inmaking were almost seen as insignificant. Post plague, Shakespeare may be giving wish to those who wanted to hold onto tradition and religion, as the Renaissance marked a time of raw ideas and a movement away from the typical ideas well-nigh love, which could be much alike McEwan in the sense that Robbie and Cecilias love was non broken through the war times. In Sonnet 116, love can overcome all initially, Shakespeare strengthens the idea of love by engagement the poem aft(prenominal) the form it takes a sonnet.Everything about this poem represents love, and slide fastener can get in its way, not even tempests, proving how powerful it is and how it can even overcome forces of nature. Society creates no boundaries in terms of love within this poem the use of the metaphor of the star signifies how love is not restricted and can be seen by all. Lastly, we see Shakespeare incorporating personification to elaborate the immortal aspect of love and how it overcomes the barrier of time Love is not Times Foole.Clearly barriers of love are seen to be easily defeated, as McEwan also portrays in his novel that attempts to set off Modern Age love, incorporating realistic scenarios such as the awkwardness in the library, and the issues faced due to war. many an an other(a)(prenominal)(prenominal) lives were lost, and the story of Robbie and Cecilia could be considered a tragedy, as we discover they die at the end. However, our narrator Briony allows their love to transcend death and live on through use of metafiction the lovers survive and flourish, and on paper they do. However, McEwan does highlight the truth and how sometimes, we can lose the ones we love and there is nothing we can do about it.Religion was a big deal preceding to the Renaissance, besides as soon as science and new ideas came into play, their began challenge of the churches authority. William Blake explores how the church becom es the force that prevents love and innocence in his poem The garden of Love. Much alike John Miltons famous paradise Lost, the poem sees religion in a critical manner, implying a film to move away from typical Christian convention. His use of metre shall not is a form of linguistic deviation to invoke a Biblical tone, and almost mocks the 10 commandments and sees religion as a defense team of everything even love itself.God, described as benevolent, has allowed priests in melanise gowns, with black signifying negativity, to walk their rounds and observe us not so loving after all. Our speaker uses internal rhyme to highlight how his desires are metaphorically concealment with briars, giving us a sense that doing the things that you love result in punishment. Here, love is faced with a barrier that society has pushed onto people and Blake is distinctly trying to, along with Milton, become aware of this.Meanwhile, in Atonement, the idea of stead can be a barrier to love, no t only for Robbie and Cecilia, but Jack and Emily too. For higher classes, divorce was frowned upon, so although Emily did not wish to be told about Jack and his absence, there was not much she could do. Meanwhile, Robbie and Cecilia had known distributively other since they were seven, yet she claimed everything he did aimed to distance her just because he removed his shoes to refrain from dirtying the floor. Clearly, there was tension due to varying status, keeping the two apart for so long. Therefore, a clean barrier to love, and from moving on to continue to love, is status in Modern times.Finally, we have the Scrutiny, written by Richard Lovelace, who explores the barrier to love lust and the need to expand horizons in terms of being with others. During the time, he, much alike other poets such as Donne, turned to carpe diem poetry. For the speaker, he must all other Beauties using imperatives to signify the importance of experience before settling down. The never-ending op portunities he has metaphorically pushes him to become a skilful mineralist, representing his need to collect a variety of things (women). Boredom had almost become a barrier to love, as well as selfishness. Meanwhile, we can similarly see that Jack, in Atonement, has too taken advantage of the other options and has taken to cheat on his wife. We also see Lola marrying her rapist, implying that not only selfishness, but disgrace can be a barrier to love due to the selfishness of others.Overall, barriers of love are seen to both insignificant, and also life changing. Love stories became ever harder to write, and McEwan has managed, by setting his novel at the beginning of the 20th century, where many barriers had to be faced, and love was challenged by war, separation of families and couples, and the struggles of status and judgements of society. Therefore, he has shown how easy it is to love in the 21st century, and how potentially love is much weaker as it does not have to overcom e any significant obstacles, hence why 42% of marriages end in divorce. The poems can explore many barriers to love, and different approaches are taken on traditional love that overcomes all, love that is stolen by new ideas such as the church, and a more selfish and arrogant take on love.